\u201cNe nuk kemi folur p\u00ebr burrat apo veshjet. Biseda e v\u00ebrtet\u00eb e vajzave ka qen\u00eb gjithmon\u00eb Marksi, Lenini dhe revolucioni.\u201d \u2013 Nina Simone<\/p>\n\n\n\n
Nina Simone mbahet mend p\u00ebr p\u00ebrfshirjen e saj n\u00eb l\u00ebvizjen p\u00ebr t\u00eb drejtat civile. Ajo ishte gjithashtu e angazhuar n\u00eb rrymat radikale politike t\u00eb koh\u00ebs s\u00eb saj, p\u00ebrfshir\u00eb socializmin.<\/p>\n\n\n\n
V\u00ebrejtja e Nina Simones q\u00eb nuk diskuton p\u00ebr mod\u00ebn, por p\u00ebr “Marksin, Leninin dhe revolucionin” ofron nj\u00eb v\u00ebshtrim n\u00eb jet\u00ebn e p\u00ebrditshme politike t\u00eb Simones larg fam\u00ebs s\u00eb saj ku njihet si aktiviste dhe muzikante p\u00ebr t\u00eb drejtat civile. Kjo “bised\u00eb e vajzave” u zhvillua me shoqen e saj dramaturge Lorraine Hansberry – nj\u00eb bised\u00eb mes dy grave t\u00eb zeza q\u00eb, si\u00e7 thot\u00eb Simone, nuk kishte t\u00eb b\u00ebnte p\u00ebr burrat apo rrobat, por flitej p\u00ebr pun\u00ebn krijuese q\u00eb ato po prodhonin dhe se si e shihnin rolin e k\u00ebsaj pun\u00eb n\u00eb \u00e7lirimin e komunitetit t\u00eb tyre.<\/p>\n\n\n\n
Duke iu referuar shfaqjes autobiografike t\u00eb Hansberry-t \u201cTo Be Young, Gifted and Black\u201d, Simone m\u00eb von\u00eb shkroi nj\u00eb k\u00ebng\u00eb me t\u00eb nj\u00ebjtin titull n\u00eb nderim t\u00eb mikut dhe shokut t\u00eb saj pasi Hansberry vdiq nga kanceri pankreatik n\u00eb mosh\u00ebn tridhjet\u00eb e kat\u00ebr vje\u00e7are. Kjo miq\u00ebsi tregon se si bisedat intime mes grave t\u00eb zeza q\u00eb kan\u00eb qen\u00eb politikisht aktive kan\u00eb fuqi p\u00ebr t\u00eb frym\u00ebzuar. Ato zhvillohen larg v\u00ebshtrimit t\u00eb njer\u00ebzve, larg njer\u00ebzve t\u00eb bardh\u00eb; k\u00ebto biseda mund t\u00eb jen\u00eb vende pushimi n\u00eb t\u00eb cilat njeriu mund t\u00eb ringjallet dhe t\u2019i bashkohet l\u00ebvizjes m\u00eb t\u00eb gjer\u00eb ku zakonisht i margjinalizon dhe i fshin nga l\u00ebvizja njohurit\u00eb dhe kontributin politik t\u00eb grave t\u00eb zeza.<\/p>\n\n\n\n
Nina Simone m\u00eb s\u00eb shumti njihet si aktiviste p\u00ebr t\u00eb drejtat civile, meq\u00eb edhe ishte. Por l\u00ebvizja p\u00ebr t\u00eb drejtat civile p\u00ebrfshinte shum\u00eb pik\u00ebpamje t\u00eb ndryshme politike mbi at\u00eb se si dukej \u00e7lirimi. Disa, si NAACP, donin reforma liberale q\u00eb u kritikuan se ishin t\u00eb dobishme vet\u00ebm p\u00ebr klas\u00ebn e mesme afrikano-amerikane. Nacionalist\u00ebt e zinj k\u00ebrkuan pavar\u00ebsi ekonomike dhe nj\u00eb shtet t\u00eb ri t\u00eb vet\u00ebm me persona t\u00eb zinj, t\u00eb ndar\u00eb nga Amerika e bardh\u00eb raciste. Jo t\u00eb gjith\u00eb aktivist\u00ebt p\u00ebr t\u00eb drejta civile po i referoheshin Karl Marksit ose Vladimir Leninit si shembull t\u00eb bisedave q\u00eb kishin me miqt\u00eb.<\/p>\n\n\n\n
P\u00ebr nj\u00eb grua me inteligjenc\u00eb, talent dhe shk\u00eblqim t\u00eb jasht\u00ebzakonsh\u00ebm, e cila e dinte sakt\u00ebsisht se si donte t\u00eb d\u00ebgjohej p\u00ebrmes muzik\u00ebs dhe performanc\u00ebs s\u00eb saj, ne duhet ta marrim k\u00ebt\u00eb si nj\u00eb deklarat\u00eb t\u00eb q\u00ebllimshme dhe jo si di\u00e7ka kalimtare. Nina Simone na thoshte se ishte nj\u00eb komuniste, shoqe dhe revolucionare.<\/p>\n\n\n\n
Ndonj\u00ebher\u00eb grat\u00eb e zeza artiste, ve\u00e7an\u00ebrisht ato muzikante q\u00eb demonstrojn\u00eb nj\u00eb form\u00eb t\u00eb politik\u00ebs s\u00eb majt\u00eb, deradikalizohen dhe interpretohen n\u00eb versione m\u00eb t\u00eb sigurta p\u00ebr t\u2019i b\u00ebr\u00eb d\u00ebgjuesit e bardh\u00eb t\u00eb ndihen m\u00eb rehat. Madje t\u00eb bardh\u00ebt liberal\u00eb shkonin n\u00eb mitingje t\u00eb aktivist\u00ebve p\u00ebr t\u00eb drejta civile dhe k\u00ebndonin \u201cMos fol p\u00ebr revolucionin\/ Kjo po shkon m\u00eb larg se\u00e7 duhet\u201d.<\/p>\n\n\n\n
Simone donte t\u00eb shkonte aq larg. Shkruar si kund\u00ebrp\u00ebrgjigje ndaj bomb\u00ebs q\u00eb u hodh n\u00eb Kish\u00ebn Baptiste t\u00eb Rrug\u00ebs s\u00eb 16-t\u00eb n\u00eb shtator t\u00eb vitit 1963 – nj\u00eb sulm terrorist i supermacis\u00eb s\u00eb bardh\u00eb q\u00eb vrau kat\u00ebr vajza t\u00eb reja t\u00eb zeza t\u00eb mosh\u00ebs nj\u00ebmb\u00ebdhjet\u00eb deri n\u00eb kat\u00ebrmb\u00ebdhjet\u00eb – Simone k\u00ebndon k\u00ebng\u00ebn “Mississippi Goddam”:<\/p>\n\n\n\n
\u201cAta p\u00ebrpiqen t\u00eb thon\u00eb se \u00ebsht\u00eb nj\u00eb komplot komunist<\/p>\n\n\n\n
Gjith\u00e7ka q\u00eb dua \u00ebsht\u00eb barazia<\/p>\n\n\n\n
P\u00ebr motr\u00ebn dhe v\u00ebllan\u00eb tim, popullin tim dhe mua.\u201d<\/p>\n\n\n\n
Simone ishte e majt\u00eb sepse e konsideronte t\u00eb majt\u00ebn si rrug\u00eb e vetme drejt barazis\u00eb s\u00eb v\u00ebrtet\u00eb. Reformat e \u201cngadalta\u201d q\u00eb kishin tendenc\u00eb t\u00eb qet\u00ebsonin nj\u00eb shtet racist nuk ishin m\u00eb opsion.<\/p>\n\n\n\n
N\u00eb tekstin e \u201cBacklash Blues\u201d shohim reflektim t\u00eb nj\u00eb politike nd\u00ebrthur\u00ebse, tekst q\u00eb \u00ebsht\u00eb marr\u00eb nga poezia e shkruar p\u00ebr Simon\u00ebn nga Hughes:<\/p>\n\n\n\n
\u201cBota \u00ebsht\u00eb e madhe;<\/p>\n\n\n\n
E madhe dhe e ndritshme dhe e rrumbullak\u00ebt;<\/p>\n\n\n\n
Dhe \u00ebsht\u00eb plot me njer\u00ebz t\u00eb tjer\u00eb si un\u00eb;<\/p>\n\n\n\n
T\u00eb cil\u00ebt jan\u00eb t\u00eb zinj, t\u00eb verdh\u00eb, bezh\u00eb dhe kafe.\u201d<\/p>\n\n\n\n
Nj\u00eb nga gj\u00ebrat e fundit q\u00eb shkroi Hughes, ishte poema q\u00eb reflekton mbi Vietnamin dhe mbi burrat afrikano-amerikan\u00eb q\u00eb d\u00ebrgoheshin p\u00ebr t\u00eb luftuar nj\u00eb luft\u00eb imperialiste nd\u00ebrsa n\u00eb sht\u00ebpin\u00eb e tyre trajtoheshin si qytetar\u00eb t\u00eb klasit t\u00eb dyt\u00eb. Simone u thot\u00eb d\u00ebgjuesve se ajo dhe grupet e tjera t\u00eb shtypura p\u00ebr shkak rac\u00ebs, n\u00eb fakt, p\u00ebrb\u00ebjn\u00eb shumic\u00ebn e bot\u00ebs – nj\u00eb deklarat\u00eb q\u00eb reflekton nj\u00eb moment politik n\u00eb t\u00eb cilin organizata si Partia e Panter\u00ebs s\u00eb Zez\u00eb po k\u00ebrkonin p\u00ebr t\u00eb nd\u00ebrtuar koalicione nd\u00ebrkomb\u00ebtare me njer\u00ebz t\u00eb tjer\u00eb n\u00eb mbar\u00eb bot\u00ebn q\u00eb vuajn\u00eb efektet e imperializmit amerikan.<\/p>\n\n\n\n
Historia politike e t\u00eb majt\u00ebve t\u00eb zinj t\u00eb SHBA-s\u00eb \u00ebsht\u00eb e r\u00ebnd\u00ebsishme n\u00eb kontekstualizimin dhe kuptimin e pun\u00ebs s\u00eb Simones, por un\u00eb dua t\u00eb kthehem te “biseda e vajzave” midis Simones dhe Hansberry-t. N\u00eb veshin tim, si nj\u00eb grua e zez\u00eb, socialiste, feministe dhe muzikante, politika e k\u00ebtyre bisedave private dhe intime mes grave radikale zezake shfaqet n\u00eb muzik\u00ebn e Simones. D\u00ebgjoni k\u00ebng\u00ebn “Four Women “. E quajtur shpesh nj\u00eb himn feminist, k\u00ebnga p\u00ebrshkruan rolet dhe stereotipet e detyruara t\u00eb klas\u00ebs dhe gjinis\u00eb n\u00eb t\u00eb cilat grat\u00eb e zeza kan\u00eb gjetur veten t\u00eb bllokuara si “mami”; \u201cmulat\u00eb tragjik\u201d; \u201cpun\u00ebtore seksi\u201d dhe \u201cgrat\u00eb e zeza t\u00eb inatosura\u201d.<\/p>\n\n\n\n
P\u00ebr mua, k\u00ebnga shkon p\u00ebrtej nj\u00eb analize t\u00eb thjeshtuar t\u00eb skllav\u00ebris\u00eb dhe efektit t\u00eb trash\u00ebgimis\u00eb s\u00eb saj tek grat\u00eb e zeza sot. P\u00ebrkundrazi, un\u00eb imagjinoj Hansberry dhe Simone duke folur p\u00ebr jet\u00ebn e tyre dhe jet\u00ebn e grave t\u00eb tjera t\u00eb zeza duke p\u00ebrdorur nj\u00eb analiz\u00eb marksiste q\u00eb p\u00ebrfshin rac\u00ebn, gjinin\u00eb dhe klas\u00ebn; ato tregojn\u00eb n\u00eb k\u00ebng\u00eb p\u00ebr m\u00ebnyr\u00ebn sesi racizmi dhe kapitalizmi ndikoi n\u00eb jet\u00ebn e grave – teze Sarah, Saffronia, Sweet Thing dhe Peaches – jet\u00ebt e grave t\u00eb zeza q\u00eb e gjejn\u00eb veten vazhdimisht duke u detyruar t\u00eb luftojn\u00eb, t\u00eb mbijetojn\u00eb dhe t\u00eb rezistojn\u00eb.<\/p>\n\n\n\n
Jeta politike e Nina Simone nuk mund t\u00eb tregohet n\u00eb nj\u00eb artikull t\u00eb shkurt\u00ebr. Ajo ishte nj\u00eb \u2018tour de force\u2019 (mur i rezistenc\u00ebs) q\u00eb solli mesazhin e liris\u00eb, barazis\u00eb, drejt\u00ebsis\u00eb dhe \u00e7lirimit p\u00ebr t\u00eb gjith\u00eb ata q\u00eb pat\u00ebn k\u00ebnaq\u00ebsin\u00eb t\u00eb d\u00ebgjonin muzik\u00ebn e saj. Por \u00ebsht\u00eb e r\u00ebnd\u00ebsishme q\u00eb t\u00eb mos p\u00ebrkufizojm\u00eb at\u00eb vet\u00ebm si nj\u00eb aktiviste p\u00ebr t\u00eb drejtat civile: ajo ishte nj\u00eb revolucionare – nj\u00eb grua q\u00eb u angazhua me pun\u00ebn e Marksit dhe Leninit dhe q\u00eb solli at\u00eb praktik\u00eb revolucionare n\u00eb muzik\u00ebn e saj n\u00eb nj\u00eb m\u00ebnyr\u00eb q\u00eb vazhdon t\u00eb rezonoj\u00eb me ne edhe sot.<\/p>\n\n\n\n
Chardine Taylor Stone<\/strong><\/p>\n\n\n\n E p\u00ebrktheu: Medin\u00eb Dauti<\/p>\n\n\n\n Tekstin origjinal mund ta gjeni n\u00eb: https:\/\/jacobinmag.com\/2021\/04\/nina-simone-radical-music-lorraine-hansberry<\/p>\n\n\n\n <\/p>\n","protected":false},"featured_media":3765,"template":"","class_list":["post-3764","lexo-post","type-lexo-post","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n