{"id":4447,"date":"2022-07-21T09:37:30","date_gmt":"2022-07-21T08:37:30","guid":{"rendered":"https:\/\/qika.org\/?post_type=lexo-post&p=4447"},"modified":"2022-07-21T09:37:30","modified_gmt":"2022-07-21T08:37:30","slug":"klubi-i-padisiplinuar-i-grave-qe-trasoi-rrugen-drejt-feminizmit-modern","status":"publish","type":"lexo-post","link":"https:\/\/qika.org\/en\/lexo-post\/klubi-i-padisiplinuar-i-grave-qe-trasoi-rrugen-drejt-feminizmit-modern\/","title":{"rendered":"Klubi i padisiplinuar i grave q\u00eb trasoi rrug\u00ebn drejt feminizmit modern"},"content":{"rendered":"\n

Ato ishin nj\u00eb grup i pazakont\u00eb dhe krenarisht i padisiplinuar, kryesisht gra t\u00eb arsimuara n\u00eb universitet, nj\u00eb gj\u00eb e rrall\u00eb n\u00eb at\u00eb koh\u00eb, n\u00eb fillim t\u00eb viteve 1900. Ato takoheshin \u00e7do t\u00eb shtun\u00eb pasdite n\u00eb nj\u00eb restorant plot me tym, t\u00eb quajtur Polly’s<\/em>, p\u00ebr t\u00eb debatuar p\u00ebr p\u00ebrkufizimin dhe r\u00ebnd\u00ebsin\u00eb ende t\u00eb sapolindur t\u00eb “feminizmit”, si dhe \u00e7\u00ebshtje t\u00eb tjera politike dhe sociale t\u00eb koh\u00ebs. Klubi i tyre, drejt\u00ebsisht i quajtur Heterodoksia<\/em> p\u00ebr p\u00ebrzierjen divergjente t\u00eb opinioneve q\u00eb parashtruan pjes\u00ebmarr\u00ebset e tij, u formua n\u00eb vitin 1912. Kaluan vet\u00ebm pak vite p\u00ebrpara se streha e tyre e r\u00ebnduar n\u00eb Greenwich Village t\u00eb b\u00ebhej nj\u00eb magnet p\u00ebr masat, p\u00ebr shkak t\u00eb reputacionit t\u00eb saj si nj\u00eb vat\u00ebr e dashuris\u00eb s\u00eb lir\u00eb, mendimit radikal, e burimit p\u00ebr ndryshime revolucionare.<\/p>\n\n\n\n

Disa nga an\u00ebtar\u00ebt e grupit ishin t\u00eb martuara, t\u00eb tjera n\u00eb lidhje t\u00eb hapura, q\u00eb asokohe shiheshin si skandaloze, dhe t\u00eb tjera n\u00eb bashkime t\u00eb t\u00eb nj\u00ebjtit seks. Shum\u00eb prej tyre mohuan rrobat e ngushta dhe flok\u00ebt e gjata, n\u00eb vend t\u00eb k\u00ebsaj zgjodh\u00ebn prerje flok\u00ebsh t\u00eb shkurt\u00ebr dhe tunika t\u00eb gjera me printe batike. K\u00ebta ishin sh\u00ebnuesit elegant t\u00eb vendit ku ato punonin, debatonin, shfaqnin skena politike satirike, mbanin sallone diskutimesh dhe marshonin s\u00eb bashku p\u00ebr t\u00eb drejt\u00ebn e vot\u00ebs dhe t\u00eb drejtat e pun\u00ebtor\u00ebve, nga platforma e enklav\u00ebs s\u00eb tyre boheme.<\/p>\n\n\n\n

K\u00ebshtu tregon historiania dhe autorja Joanna Scutts n\u00eb “Hotbed: Bohemian Greenwich Village and the Secret Club that Sparked Modern Feminism “, nj\u00eb tregim historik dhe kinetik i hulumtuar thell\u00ebsisht q\u00eb paraqet periudh\u00ebn e frytshme, por edhe t\u00eb tensionuar t\u00eb Heterodoksis\u00eb<\/em>, q\u00eb nga fillimi i saj deri n\u00eb fillim t\u00eb viteve 1920. N\u00eb proz\u00ebn kumbuese q\u00eb th\u00ebrret idealizmin dhe guximin e vet\u00eb ekzistenc\u00ebs s\u00eb Heterodoksis\u00eb <\/em>si nj\u00eb qend\u00ebr p\u00ebr mot\u00ebrzim dhe mendim politik t\u00eb udh\u00ebhequr nga grat\u00eb, Scutts sjell n\u00eb jet\u00eb historit\u00eb e grave q\u00eb krijuan miq\u00ebsi midis radh\u00ebve t\u00eb tyre, shumica e t\u00eb cilave ishin autore, gazetare, sociologe dhe artiste nga klasat e mesme t\u00eb larta.<\/p>\n\n\n\n

N\u00eb pjes\u00ebn e fal\u00ebnderimeve te libri, Scutts thot\u00eb se ajo shkroi pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb “Hotbed” gjat\u00eb pandemis\u00eb s\u00eb koronavirusit dhe udh\u00ebzimeve t\u00eb q\u00ebndrimit n\u00eb sht\u00ebpi n\u00eb Nju Jork q\u00eb filluan dy jav\u00eb pasi ajo lindi. N\u00eb pamund\u00ebsi p\u00ebr t\u00eb udh\u00ebtuar p\u00ebr t\u00eb vizituar arkivat, ajo mori burime thelb\u00ebsore k\u00ebrkimore n\u00eb distanc\u00eb, duke p\u00ebrfshir\u00eb materiale dhe fotografi t\u00eb dixhitalizuara nga Biblioteka Publike e Nju Jorkut, Biblioteka Beinecke e Yale dhe Biblioteka Schlesinger.<\/p>\n\n\n\n

Ajo v\u00ebren se shumica e an\u00ebtareve t\u00eb Heterodoksis\u00eb<\/em> q\u00eb at\u00ebher\u00eb jan\u00eb zbehur nga historia jon\u00eb e shkruar. Nd\u00ebrsa disa n\u00eb klub ishin subjekt i biografive, shum\u00eb prej atyre librave nuk jan\u00eb m\u00eb t\u00eb qassh\u00ebm. P\u00ebr Scutts, kjo e b\u00ebri “Hotbed” nj\u00eb tekst kritik p\u00ebr pasardh\u00ebsit. \u201cKjo \u00ebsht\u00eb nj\u00eb histori p\u00ebr feminizmin \u2026 n\u00eb mish\u00ebrimin e tij t\u00eb par\u00eb amerikan. \u00cbsht\u00eb gjithashtu nj\u00eb histori se si shkruhet historia: \u00e7far\u00eb ka r\u00ebnd\u00ebsi dhe \u00e7far\u00eb jo n\u00eb historit\u00eb q\u00eb tregojm\u00eb; kush harrohet dhe pse\u201d, shkruan ajo n\u00eb hyrjen e librit.<\/p>\n\n\n\n

Nd\u00ebr an\u00ebtaret e Heterodoksis\u00eb<\/em>, ndoshta m\u00eb e njohura, ishte Charlotte Perkins Gilman, autore e novel\u00ebs “The Yellow Wallpaper”, lexim standard p\u00ebr studiuesit feminist\u00eb t\u00eb sot\u00ebm (edhe pse ne luftojm\u00eb me trash\u00ebgimin\u00eb e racizmit t\u00eb autores). Grace Nail Johnson ishte e vetmja an\u00ebtare e zez\u00eb e grupit dhe gruaja e James Weldon Johnson, udh\u00ebheq\u00ebs i Shoqat\u00ebs Komb\u00ebtare p\u00ebr P\u00ebrparimin e Njer\u00ebzve me Ngjyr\u00eb. Elizabeth Gurley Flynn ishte nj\u00eb aktiviste e sindikat\u00ebs s\u00eb klas\u00ebs pun\u00ebtore dhe an\u00ebtare socialiste e klubit, stili i zjarrt\u00eb i oratoris\u00eb s\u00eb t\u00eb cil\u00ebs t\u00ebrhoqi turma. N\u00eb p\u00ebrshkrimin se sa integrale ishte qasja e saj e t\u00eb folurit me t\u00eb gjith\u00eb trupin p\u00ebr t\u00eb kapur audienc\u00ebn, Scutts citon Gurley Flynn: \u201cNe b\u00ebm\u00eb gjestikulim, ne hap\u00ebm platform\u00ebn, u apeluam emocioneve. \u2026 Edhe kur emigrant\u00ebt e sapoardhur nuk i kuptonin fjal\u00ebt tona, ata e ndjen\u00eb shpirtin ton\u00eb.\u201d<\/p>\n\n\n\n

S\u00eb bashku, Hurley Flynn dhe heterodit\u00ebt e tjer\u00eb b\u00ebnin kund\u00ebrshtime p\u00ebr konstruksione shoq\u00ebrore t\u00eb p\u00ebrmbysura q\u00eb e b\u00ebnin jet\u00ebn brutale, apo edhe vdekjeprur\u00ebse, p\u00ebr grat\u00eb, edhe kur ata debatonin mbi prioritetet konkurruese q\u00eb implikonin rac\u00ebn, klas\u00ebn dhe axhendat komb\u00ebtare kundrejt atyre nd\u00ebrkomb\u00ebtare. Scutts na \u00e7on n\u00ebp\u00ebr momente t\u00eb tilla kryesore si paradat e hershme t\u00eb t\u00eb drejt\u00ebs s\u00eb vot\u00ebs me gra t\u00eb pasura me fustane t\u00eb bardh\u00eb dhe kapele kashte mbi kal\u00eb, spektakle q\u00eb ajo thot\u00eb se ishin “t\u00eb dizajnuara p\u00ebr t’u par\u00eb, fotografuar dhe diskutuar edhe m\u00eb gjer\u00ebsisht n\u00eb media – p\u00ebr t\u2019u b\u00ebr\u00eb virale, n\u00eb stilin e viteve 1910.\u201d Libri gjithashtu tregon se si an\u00ebtar\u00ebt e Heterodoksis\u00eb<\/em> drejtuan grevat e pun\u00ebtor\u00ebve p\u00ebr t\u00eb trajtuar kushtet e mjerueshme. K\u00ebto p\u00ebrpjekje u zhvilluan pas zjarrit t\u00eb fabrik\u00ebs Triangle Shirtwaist<\/em>, n\u00eb t\u00eb cilin u vran\u00eb 146 pun\u00ebtor\u00eb – kryesisht italian\u00eb dhe hebrenj. “Hotbed” kalon n\u00eb Luft\u00ebn e Par\u00eb Bot\u00ebrore n\u00eb 1914, n\u00eb \u201cRed Scare\u201d q\u00eb filloi n\u00eb 1917 si dhe n\u00eb ratifikimin e Amendamentit t\u00eb 19-t\u00eb q\u00eb u jep grave t\u00eb drejt\u00ebn e vot\u00ebs m\u00eb 1920.<\/p>\n\n\n\n

Nj\u00eb nga tiparet m\u00eb bind\u00ebse t\u00eb “Hotbed” \u00ebsht\u00eb p\u00ebrshkrimi i tij i pal\u00ebkundur i Heterodoksis\u00eb<\/em> si nj\u00eb kolektiv i grave t\u00eb bardha kryesisht t\u00eb pasura q\u00eb u sfiduan me m\u00ebnyr\u00ebn se si t\u00eb krijonin solidaritet p\u00ebrtej kufijve racor dhe klasor. Kjo mori form\u00eb, p\u00ebr shembull, n\u00eb nd\u00ebrveprimet e tyre me grat\u00eb emigrante q\u00eb b\u00ebnin grev\u00eb p\u00ebr kushte m\u00eb t\u00eb mira pune. Scutts thekson se “shum\u00eb grevist\u00eb e kund\u00ebrshtuan v\u00ebmendjen e shtypit q\u00eb u kushtua k\u00ebtyre aktivist\u00ebve magjeps\u00ebs t\u00eb klas\u00ebs s\u00eb lart\u00eb dhe dyshuan – jo krejt\u00ebsisht gabimisht – se kauza e tyre rrezikohej t\u00eb perdorej p\u00ebr t\u00eb \u00e7uar p\u00ebrpara agjend\u00ebn e t\u00eb drejt\u00ebs s\u00eb vot\u00ebs”. Si\u00e7 i sugjeroi nj\u00eb protestues, mjaft ashp\u00ebr, nj\u00eb an\u00ebtari t\u00eb Heterodoksis\u00eb<\/em>: \u201cMund t\u00eb vini me ne n\u00eb bllokad\u00eb. N\u00ebse ka nj\u00eb grua me ne, policia nuk do t\u00eb na rrah\u00eb.\u201d<\/p>\n\n\n\n

Scutts nuk \u00ebsht\u00eb ndihet fare n\u00eb turp kur detajon racizmin brenda mikrokozmosit t\u00eb grupit. P\u00ebr shembull, ajo shkruan: \u201cSufragist\u00ebt e bardh\u00eb rrall\u00eb pranonin se rreziqet e marshimit ose t\u00eb t\u00eb folurit n\u00eb publik ishin shum\u00eb t\u00eb ndryshme p\u00ebr nj\u00eb grua afrikano-amerikane t\u00eb klas\u00ebs pun\u00ebtore. \u2026 Ata m\u00ebnjanuan ose p\u00ebrjashtuan grat\u00eb e zeza, t\u00eb cilat megjithat\u00eb vazhduan t\u00eb merrnin pjes\u00eb \u2026 dhe luftuan q\u00eb t\u00eb trajtoheshin n\u00eb m\u00ebnyr\u00eb t\u00eb drejt\u00eb dhe t\u00eb njiheshin p\u00ebr kontributet e tyre.\u201d<\/p>\n\n\n\n

Ndoshta tiparet m\u00eb t\u00eb mprehta t\u00eb “Hotbed” jan\u00eb paralelet me peizazhin e sot\u00ebm. Duke v\u00ebn\u00eb n\u00eb dukje efektet e ndryshme t\u00eb pabarazis\u00eb nga m\u00eb shum\u00eb se nj\u00eb shekull m\u00eb par\u00eb, Scutts shkruan n\u00eb “Hotbed” se “grat\u00eb e pasura kishin qen\u00eb gjithmon\u00eb n\u00eb gjendje t\u00eb kontrollonin madh\u00ebsin\u00eb e familjeve t\u00eb tyre dhe t\u00eb merrnin n\u00eb m\u00ebnyr\u00eb diskrete kontraceptiv\u00eb ose aborte. Ishin grat\u00eb e klas\u00ebs pun\u00ebtore, sh\u00ebndeti dhe e ardhmja e t\u00eb cilave ishin n\u00eb rrezik. \u2026\u201d<\/p>\n\n\n\n

K\u00ebto deklarata nuk jan\u00eb m\u00eb pak t\u00eb v\u00ebrteta sot. Si\u00e7 thot\u00eb Scutts n\u00eb epilogun e saj, \u201ct\u00eb drejtat e vot\u00ebs jan\u00eb n\u00ebn sulm t\u00eb vazhduesh\u00ebm dhe feminist\u00ebt vazhdojn\u00eb t\u00eb dalin n\u00eb rrug\u00eb p\u00ebr t\u00eb k\u00ebrkuar t\u00eb drejta p\u00ebr t\u00eb cilat heterodit\u00ebt gjithashtu po luftonin \u2013 si dhe disa t\u00eb drejta p\u00ebr t\u00eb cilat ata vet\u00ebm mund t\u00eb kishin \u00ebnd\u00ebrruar. \u201d<\/p>\n\n\n\n

Karen Iris Tucker<\/p>\n\n\n\n

E p\u00ebrktheu: Riola Morina<\/p>\n\n\n\n

Tekstin origjinal mund ta gjeni n\u00eb: https:\/\/www.washingtonpost.com\/outlook\/2022\/07\/08\/an-unruly-womens-club-that-pointed-way-modern-feminism\/?fbclid=IwAR0PHoTWjNnVgXenH_QJ606vhDarJjura3_LIuIw4F4LSIckHKHMmy9ynfM<\/a><\/p>\n","protected":false},"featured_media":4448,"template":"","class_list":["post-4447","lexo-post","type-lexo-post","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nKlubi i padisiplinuar i grave q\u00eb trasoi rrug\u00ebn drejt feminizmit modern - QIKA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/qika.org\/lexime\/klubi-i-padisiplinuar-i-grave-qe-trasoi-rrugen-drejt-feminizmit-modern\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Klubi i padisiplinuar i grave q\u00eb trasoi rrug\u00ebn drejt feminizmit modern - QIKA\" \/>\n<meta property=\"og:description\" content=\"Ato ishin nj\u00eb grup i pazakont\u00eb dhe krenarisht i padisiplinuar, kryesisht gra t\u00eb arsimuara n\u00eb universitet, nj\u00eb gj\u00eb e rrall\u00eb n\u00eb at\u00eb koh\u00eb, n\u00eb fillim t\u00eb viteve 1900. 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