{"id":1214,"date":"2021-03-27T08:37:06","date_gmt":"2021-03-27T07:37:06","guid":{"rendered":"https:\/\/qika.org\/?post_type=thelle-post&p=1214"},"modified":"2021-03-27T15:23:32","modified_gmt":"2021-03-27T14:23:32","slug":"te-paragjykuara-ne-skene-dhe-ne-shoqeri","status":"publish","type":"thelle-post","link":"https:\/\/qika.org\/en\/thelle-post\/te-paragjykuara-ne-skene-dhe-ne-shoqeri\/","title":{"rendered":"T\u00eb paragjykuara n\u00eb sken\u00eb dhe n\u00eb shoq\u00ebri"},"content":{"rendered":"\n

\u201cE kom dasht\u00eb aktrimin q\u00eb kur kam qen\u00eb n\u00eb shkoll\u00eb fillore. \u00c7do dit\u00eb kam kalu af\u00ebr teatrit se sht\u00ebpin\u00eb e kam pas aty af\u00ebr. Baba i nj\u00eb shoqes s\u00eb klas\u00ebs ka punuar n\u00eb teat\u00ebr si dekorator. Asaj i p\u00eblqejshin filmat e mua teatri. K\u00ebshtu shkojsha n\u00eb teat\u00ebr pa pages\u00eb. Ky ka qen\u00eb takimi im i par\u00eb me sken\u00ebn. Prej at\u00ebher\u00eb m\u00eb ka lind\u00eb d\u00ebshira p\u00ebr mu marr\u00eb me aktrim\u201d, tregon Kumrije Hoxha, e cila tash e sa vite \u00ebsht\u00eb pjes\u00eb e sken\u00ebs s\u00eb teatrit.<\/p>\n\n\n\n

Ndon\u00ebse Hoxha ka pasur mb\u00ebshtetjen e familjes p\u00ebr t\u00eb ushtruar k\u00ebt\u00eb profesion, shumica e vajzave nuk e kan\u00eb fatin e nj\u00ebjt\u00eb as sot. Pamund\u00ebsia p\u00ebr tu p\u00ebrballur me paragjykimet shoq\u00ebrore ka larguar shum\u00eb aktore nga skena. K\u00ebshtu, n\u00eb mes t\u00eb udh\u00ebkryqit t\u00eb pun\u00ebs e pasionit si dhe presionit t\u00eb jasht\u00ebm, vajzat e grat\u00eb n\u00eb Kosov\u00eb q\u00eb zgjedhin aktrimin, vet\u00ebdijsh\u00ebm nisen n\u00eb rrug\u00ebn e v\u00ebshtir\u00eb.<\/p>\n\n\n

\n \"\"<\/div>\n\n\n

Kumrije Hoxha<\/em> \u00a9<\/strong>QIKA<\/em><\/p>\n\n\n\n

\u201cN\u00ebse kam pendes\u00eb p\u00ebr di\u00e7ka n\u00eb jet\u00eb, kam p\u00ebr faktin q\u00eb i kam refuzu dy role pa d\u00ebshir\u00ebn time\u201d, thot\u00eb aktorja Shengyl Ismaili.<\/p>\n\n\n\n

Sipas saj aktrimi si profesion \u00ebsht\u00eb shum\u00eb i bukur por edhe shum\u00eb i komplikuar. \u201cAktrimi t\u00eb jep mund\u00ebsi p\u00ebr t\u00eb qen\u00eb kushdo p\u00ebr nj\u00eb moment t\u00eb caktuar, mir\u00ebpo ushtrimi i k\u00ebtij profesioni n\u00eb shoq\u00ebrin\u00eb ton\u00eb \u00ebsht\u00eb i v\u00ebshtir\u00eb\u201d, thot\u00eb Ismaili.<\/p>\n\n\n\n

Para vendimit p\u00ebr t\u00eb pranuar nj\u00eb rol, pjesa d\u00ebrmuese e aktoreve duhet t\u00eb shqyrtojn\u00eb nj\u00eb s\u00ebr\u00eb filtrash paraprak q\u00eb jan\u00eb jasht\u00eb tyre e tek n\u00eb fund ta mendojn\u00eb nivelin artistik dhe mund\u00ebsit\u00eb q\u00eb ato kan\u00eb p\u00ebr t`i dh\u00ebn\u00eb kuptim rolit. N\u00eb Kosov\u00eb, nj\u00eb sken\u00eb sfiduese p\u00ebr aktoren fatkeq\u00ebsisht lidhet m\u00eb shum\u00eb me iden\u00eb se \u00e7far\u00eb veprimi do t\u00eb sjell\u00eb ajo n\u00eb sken\u00eb, sesa v\u00ebshtir\u00ebsia, transformimi, analiza, nd\u00ebrtimi dhe paraqitja e rolit.<\/p>\n\n\n\n

\u201cS\u00eb fundmi n\u00eb nj\u00eb film e kom xhiru nj\u00eb sken\u00eb t\u00eb zhveshjes dhe p\u00ebr k\u00ebt\u00eb ndihna krenare me veten. Jo me sken\u00ebn e zhveshjes por me faktin se kam arrit\u00eb n\u00eb nj\u00eb pik\u00eb ku nuk kam refuzu nj\u00eb rol ve\u00e7 pse dikujt mundet me ju prish qefi\u201d, thot\u00eb aktorja Shengyl Ismaili.<\/p>\n\n\n

\n \"\"<\/div>\n\n\n

Shengyl Ismaili <\/em>\u00a9<\/strong>QIKA<\/em><\/p>\n\n\n\n

Veprimet q\u00eb ato b\u00ebjn\u00eb n\u00eb kuad\u00ebr t\u00eb profesionit t\u00eb tyre shoq\u00ebria nuk i sheh si gj\u00ebra t\u00eb ndara. Shoq\u00ebria iu vesh tiparet e roleve aktoreve personalisht, n\u00eb at\u00eb m\u00ebnyr\u00eb q\u00eb veprimet q\u00eb i kryejn\u00eb n\u00eb sken\u00eb shihen si veprime t\u00eb tyre.<\/p>\n\n\n\n

Besim Ugzmajli, drejtor artistik n\u00eb teatrin \u201cAdriana\u201d n\u00eb Ferizaj thot\u00eb se r\u00ebnd\u00ebsia e grave aktore p\u00ebr mentalitetin dhe shoq\u00ebrin\u00eb \u00ebsht\u00eb e jasht\u00ebzakonshme. \u201cAktoret kudo n\u00eb bot\u00eb jan\u00eb treguar t\u00eb zonja q\u00eb t\u00eb b\u00ebjn\u00eb ndryshime t\u00eb vazhdueshme n\u00eb mentalitetin e shoq\u00ebrive t\u00eb caktuara. Nuk ka emancipim t\u00eb mir\u00ebfillt\u00eb pa e ven\u00eb gruan n\u00eb ball\u00eb t\u00eb emancipimit\u201d, thot\u00eb Ugzmajli.<\/p>\n\n\n\n

Sipas tij m\u00ebnyra m\u00eb e mir\u00eb p\u00ebr t\u00eb ndikuar drejtp\u00ebrdrejt n\u00eb k\u00ebt\u00eb mentalitet \u00ebsht\u00eb q\u00eb grat\u00eb, edhe pse me v\u00ebshtir\u00ebsi, t\u00eb vazhdojn\u00eb ta b\u00ebjn\u00eb pun\u00ebn e tyre. \u201cGrat\u00eb duhet t\u00eb vazhdojn\u00eb ta ushtrojn\u00eb profesionin e tyre pa menduar shum\u00eb n\u00eb paragjykimet e stigmatizimin ndaj tyre. Profesioni i aktores \u00ebsht\u00eb i till\u00eb q\u00eb ndryshimin e sjell\u00eb p\u00ebrmes vet profesionit. Pra, ushtrimi i lir\u00eb i profesionit t\u00eb aktores \u00ebsht\u00eb vetvetiu nj\u00eb politik\u00eb e fuqishme drejt ndryshimit t\u00eb nj\u00eb mentaliteti. Rol t\u00eb madh luajn\u00eb k\u00ebtu edhe koleg\u00ebt burra\u201d, thot\u00eb Ugzmajli.<\/p>\n\n\n\n

Vajzat aplikojn\u00eb m\u00eb pak p\u00ebr t\u00eb studiuar aktrimin<\/strong><\/p>\n\n\n\n


N\u00eb vitin 1967 aktorja Melihate Qena vendosi t\u00eb aplikoi n\u00eb Akademin\u00eb e Arteve n\u00eb Beograd p\u00ebr klas\u00ebn shqiptare, n\u00eb drejtimin e aktrimit. Rrug\u00ebtimi i saj nuk ishte i leht\u00eb. P\u00ebr t\u2019u b\u00ebr\u00eb pjes\u00eb e akademis\u00eb aplikuesit duhet t\u00eb kalonin disa faza. Faza e par\u00eb mbahej n\u00eb Prishtin\u00eb. N\u00eb secil\u00ebn faz\u00eb eliminoheshin konkurrent\u00ebt duke mbetur n\u00eb fund me nj\u00eb klas\u00eb t\u00eb p\u00ebrb\u00ebr\u00eb nga 7 student\u00eb, ku prej tyre Melihate Qena ishte e vetmja vajz\u00eb.<\/p>\n\n\n

\n \"\"<\/div>\n\n\n

Melihate Qena <\/em>\u00a9<\/strong>QIKA<\/em><\/p>\n\n\n\n

N\u00eb at\u00eb koh\u00eb d\u00ebshira p\u00ebr t\u00eb studiuar aktrimin p\u00ebr nj\u00eb vajz\u00eb ishte pothuajse e padiskutueshme p\u00ebr pjes\u00ebn d\u00ebrmuese t\u00eb shoq\u00ebris\u00eb. Melihate Qena thot\u00eb se ishte me fat q\u00eb p\u00ebr shkak t\u00eb familjes s\u00eb saj ajo nuk kaloi n\u00ebp\u00ebr k\u00ebto barriera. Por e kujton nj\u00eb kolege t\u00eb saj, e cila poashtu kishte arritur deri n\u00eb faz\u00ebn e fundit p\u00ebr tu pranuar n\u00eb Akademin\u00eb e Arteve n\u00eb Beograd. Ajo vendosi t\u00eb kthehej n\u00eb Kosov\u00eb pa u regjistruar sepse i \u00ebsht\u00eb dashur t\u00eb zgjidhte nd\u00ebrmjet t\u00eb dashurit t\u00eb saj dhe aktrimit.<\/p>\n\n\n\n

Edhe tash, pas me tep\u00ebr se kat\u00ebr dekadave, vajzat e reja q\u00eb d\u00ebshirojn\u00eb t\u00eb studiojn\u00eb aktrimin ballafaqohen me nj\u00eb grumbull barrierash paraprake.<\/p>\n\n\n\n

Fakulteti i Arteve n\u00eb Universitetin e Prishtin\u00ebs \u00ebsht\u00eb i vetmi institucion q\u00eb momentalisht ofron mund\u00ebsin\u00eb e shkollimit p\u00ebr aktor\u00eb. Hazir Haziri, dekan i Fakultetit t\u00eb Arteve, tregon se ende ka raste q\u00eb student\u00ebt regjistrohen n\u00eb aktrim pa diskutuar e pa i informuar prind\u00ebrit.<\/p>\n\n\n\n

Duke u bazuar nga t\u00eb dh\u00ebnat q\u00eb QIKA ka k\u00ebrkuar nga Fakulteti i Arteve p\u00ebr periudh\u00ebn 2011-2020, shihet qart\u00eb se numri i aplikueseve vajza \u00ebsht\u00eb m\u00eb i ul\u00ebt se sa i djemve. Gjat\u00eb k\u00ebsaj periudhe ky fakultet ka pranuar gjithsej 716 aplikime p\u00ebr nivelin ba\u00e7elor, ku vet\u00ebm 234 prej tyre jan\u00eb vajza, pra 32.7%.    <\/p>\n\n\n

\n \"\"<\/div>\n\n\n

Duke u bazuar n\u00eb nevojat e tregut, fakulteti p\u00ebrmes politikave t\u00eb brendshme ka provuar t\u00eb  rregulloj diferenc\u00ebn duke pranuar 50.4% vajza nga totali p\u00ebr periudh\u00ebn 2011-2020.<\/p>\n\n\n\n

Sipas dekanit Haziri, p\u00ebr shkak t\u00eb munges\u00ebs s\u00eb informatave mbi profesionin e aktrimit p\u00ebrgjith\u00ebsisht n\u00eb shoq\u00ebri, \u00ebsht\u00eb p\u00ebr tu vler\u00ebsuar guximi i t\u00eb rinjve p\u00ebr t\u00eb aplikuar n\u00eb k\u00ebt\u00eb drejtim.<\/p>\n\n\n

\n \"\"<\/div>\n\n\n

Hazir Haziri <\/em>\u00a9<\/strong>QIKA<\/em><\/p>\n\n\n\n

\u201cNevojat e tregut n\u00eb raport me gjinin\u00eb e aktor\u00ebve n\u00eb aspekt t\u00eb p\u00ebrgjithsh\u00ebm jan\u00eb t\u00eb nj\u00ebjta, e si t\u00eb tilla diktojn\u00eb sjelljen e fakultetit, prandaj ne synojm\u00eb q\u00eb t\u00eb pranojm\u00eb num\u00ebr t\u00eb nj\u00ebjt\u00eb t\u00eb vajzave dhe djemve n\u00eb drejtimin e aktrimit\u201d, thot\u00eb Haziri.<\/p>\n\n\n\n

Gjithsesi ai shton se niveli i p\u00ebrgatitjes s\u00eb vajzave t\u00eb pranuara n\u00eb krahasim me djemt\u00eb nuk dallon, por kjo politik\u00eb p\u00ebrve\u00e7 t\u00eb tjerash tregon se vajzat q\u00eb synojn\u00eb t\u00eb b\u00ebhen aktore e kan\u00eb p\u00ebrkrahjen e fakultetit n\u00eb k\u00ebt\u00eb rrug\u00ebtim.<\/p>\n\n\n\n

Teatrot publike n\u00eb Kosov\u00eb t\u00eb dominuara nga burrat<\/strong><\/p>\n\n\n\n

N\u00eb rrethana n\u00eb t\u00eb cilat \u00ebsht\u00eb komuniteti artistik n\u00eb Kosov\u00eb, puna si aktor rezident n\u00eb ndonj\u00ebrin nga teatrot, n\u00eb fakt \u00ebsht\u00eb nj\u00eb nga pak mund\u00ebsit\u00eb q\u00eb ata kan\u00eb t\u00eb jen\u00eb t\u00eb pavarur ekonomikisht duke ushtruar profesionin e tyre.<\/p>\n\n\n\n

Sikur t\u00eb mos ishte i mjaftuesh\u00ebm presioni shoq\u00ebror, grat\u00eb n\u00eb k\u00ebt\u00eb profesion diskriminohen edhe n\u00eb nivel institucional. N\u00eb nj\u00eb rrethan\u00eb ku nevoja p\u00ebr aktore gra e aktor\u00eb burra \u00ebsht\u00eb e nj\u00ebjt\u00eb, teatrot publike t\u00eb qyteteve n\u00eb trup\u00ebn e tyre rezidente p\u00ebrgjith\u00ebsisht kan\u00eb t\u00eb pun\u00ebsuar m\u00eb shum\u00eb burra. Madje, n\u00eb disa teatro kjo diferenc\u00eb \u00ebsht\u00eb shum\u00eb e v\u00ebrejtshme.<\/p>\n\n\n\n

Teatri \u201cMuharrem Qena\u201d, n\u00eb Mitrovic\u00eb ka t\u00eb pun\u00ebsuara vet\u00ebm dy aktore gra nga gjithsej dhjet\u00eb aktor\u00eb t\u00eb pun\u00ebsuar. Teatri \u201cAdriana\u201d n\u00eb Ferizaj nga gjithsej tet\u00eb aktor\u00eb t\u00eb pun\u00ebsuar, vet\u00ebm tre prej tyre jan\u00eb gra.<\/p>\n\n\n\n

N\u00eb an\u00ebn tjet\u00ebr, p\u00ebrve\u00e7 teatrit t\u00eb Pej\u00ebs, t\u00eb gjitha teatrot e tjera n\u00eb Kosov\u00eb drejtohen nga burrat.<\/p>\n\n\n

\n \"\"<\/div>\n\n\n

I pyetur p\u00ebr k\u00ebt\u00eb \u00e7\u00ebshtje, Besim Ugzmajli, tha se balanci n\u00eb gjini dhe diversiteti n\u00eb mosh\u00eb \u00ebsht\u00eb  tep\u00ebr i r\u00ebnd\u00ebsish\u00ebm p\u00ebr mbar\u00ebvajtjen e pun\u00ebs s\u00eb teatrit. Sipas tij n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb krijohen mund\u00ebsi m\u00eb t\u00eb mira p\u00ebr regjisor\u00ebt q\u00eb do t\u00eb punojn\u00eb si dhe p\u00ebr teatrin n\u00eb p\u00ebrgjith\u00ebsi.<\/p>\n\n\n\n

Sidoqoft\u00eb, Ugzmajli thot\u00eb q\u00eb proporcioni i gjinis\u00eb n\u00eb p\u00ebrzgjedhjen e aktor\u00ebve  n\u00eb teatrin \u201cAdriana\u201d \u00ebsht\u00eb krejt i rast\u00ebsish\u00ebm dhe ka t\u00eb b\u00ebj\u00eb me kualitetet q\u00eb jan\u00eb ofruar nga aplikant\u00ebt n\u00eb konkurs. Ai thekson q\u00eb n\u00eb konkurs ka pasur duksh\u00ebm m\u00eb shum\u00eb aplikime nga burrat sesa nga grat\u00eb aktore.<\/p>\n\n\n

\n \"\"<\/div>\n\n\n

Besim Ugzmajli <\/em>\u00a9<\/strong>QIKA<\/em><\/p>\n\n\n\n

Nj\u00eb form\u00eb p\u00ebr t\u00eb luftuar paragjykimet dhe diskriminimet ndaj grave aktore apo vajzave q\u00eb vendosin t\u00eb studiojn\u00eb aktrimin, konsiderohet t\u00eb jet\u00eb inkuadrimi i l\u00ebnd\u00ebve m\u00ebsimore p\u00ebr artin dramatik n\u00eb shkollat fillore dhe t\u00eb mesme. K\u00ebsisoj nx\u00ebn\u00ebsit do t\u00eb njoftoheshin me k\u00ebt\u00eb fush\u00eb n\u00eb m\u00ebnyr\u00eb profesionale dhe kjo do t\u00eb ndikonte se si trajtohej aktrimi si profesion.<\/p>\n\n\n\n

\u201cTeatri ekziston me q\u00ebllimin e vet\u00ebm q\u00eb t\u00eb p\u00ebrmir\u00ebsoj t\u00eb metat e shoq\u00ebris\u00eb. Teatri duhet t\u00eb jet\u00eb nj\u00eb oaz\u00eb, nj\u00eb vend ku njeriu del m\u00eb ndryshe sesa q\u00eb ka hy. Del m\u00eb i sofistikuar e m\u00eb i fisnik\u00ebruar ose t\u00eb pakt\u00ebn t\u00eb shtyn\u00eb t\u00eb mendosh p\u00ebr \u00e7\u00ebshtje t\u00eb cilat ndodhin n\u00eb shoq\u00ebri. K\u00ebshtu, dal\u00ebngadal\u00eb p\u00ebrmir\u00ebsohen edhe bindjet e njer\u00ebzve dhe zbuten paragjykimet\u201d, thot\u00eb Melihate Qena.<\/p>\n","protected":false},"featured_media":1215,"template":"","class_list":["post-1214","thelle-post","type-thelle-post","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nT\u00eb paragjykuara n\u00eb sken\u00eb dhe n\u00eb shoq\u00ebri - QIKA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/qika.org\/hollesisht\/te-paragjykuara-ne-skene-dhe-ne-shoqeri\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"T\u00eb paragjykuara n\u00eb sken\u00eb dhe n\u00eb shoq\u00ebri - QIKA\" \/>\n<meta property=\"og:description\" content=\"\u201cE kom dasht\u00eb aktrimin q\u00eb kur kam qen\u00eb n\u00eb shkoll\u00eb fillore. \u00c7do dit\u00eb kam kalu af\u00ebr teatrit se sht\u00ebpin\u00eb e kam pas aty af\u00ebr. Baba i nj\u00eb shoqes s\u00eb klas\u00ebs ka punuar n\u00eb teat\u00ebr si dekorator. Asaj i p\u00eblqejshin filmat e mua teatri. K\u00ebshtu shkojsha n\u00eb teat\u00ebr pa pages\u00eb. 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